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TIME: Almanac 1995
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TIME Almanac 1995.iso
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1995-02-26
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<text id=94TT1667>
<title>
Nov. 28, 1994: Books:"Teriyaki" Is Slang for Heroin
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Nov. 28, 1994 Star Trek
</history>
<article>
<source>Time Magazine</source>
<hdr>
ARTS & MEDIA/BOOKS, Page 87
"Teriyaki" Is Slang for Heroin
</hdr>
<body>
<p> Japan's wealth had to create some decadence; now a writer describes
the fast-living youth in the land of the salaryman
</p>
<p>By Pico Iyer
</p>
<p> Ueno Park, in Tokyo, was ordained by the Meiji Emperor in the
late 19th century as a public space in which Japanese could
pay homage to ancient shrines and native traditions. Nowadays,
it is a mess of illegal Iranian immigrants selling phony telephone
cards and cocaine. The statue of Takamori Saigo, a Meiji-era
samurai, is surrounded by junkies seeking out teriyaki (heroin)
or shabu-shabu (crystal methamphetamine). Indeed, when Choco
Bon-Bon, star of such Japanese porn classics as Tales of a Hard
Banana, needs a fix, he goes shopping in Ueno and then goes
home to the Hotel Queen DeGaulle to get high.
</p>
<p> This scene is emblematic of the world portrayed in Karl Taro
Greenfeld's Speed Tribes (HarperCollins; 286 pages; $23), a
fast and strutting view of a neon-lit capital that might be
called Notes from the Tokyo Underground. In place of the kimonoed
ladies and the men in gray flannel suits who form so much of
our sense of Japan, Greenfeld pulls back the curtain on a much
more colorful and disaffected group--gangsters, good-time
girls, gold-toothed bikers and punks. The economic boom of the
'80s, in which Japan's assets grew 80% in just four years, produced,
Greenfeld suggests, a new generation of cheap operators and
rich hedonists. As young, hip and plugged-in as his subjects--he knows every Gaultier accessory and Ruger pistol--Greenfeld
provides a racy, knowing portrait of the people who are usually
cropped out of the country's official portrait of itself.
</p>
<p> Essentially, the author's method is to mix the slangy, teen-dream
prose of a suburban hell raiser with rock-solid numbers. He
shows us kids who attended high school for only three days and
schools that have never sent a single student to college. He
explains how to hotwire a Suzuki 750 motorbike and how to sell
fake acid on the streets. Yet all these fancy maneuvers are
underscored by some sobering statistics. The average Japanese
watches nearly an hour more of television a day than an American.
Approximately 14,000 adult videos are made every year in Japan
(in the U.S. the figure is 2,500). And between 1985 and 1990,
cocaine seizures in the country went up from 129 grams a year
to 68.8 kilos. What gives Speed Tribes its piquancy is the way
these very modern problems play off against the vestiges of
tradition. Motorcycle gangs, for example, bow to one another
at a rumble. A mobster visits his godfather on Respect for the
Aged Day.
</p>
<p> Greenfeld's gold-chain demimonde no more represents all of Japan
than Bret Easton Ellis' world of tan, designer-drug nihilists
represents America. Like Ellis, Greenfeld sometimes comes close
to succumbing to the brand-name hypnosis he wishes to satirize.
Moreover, he never really explores the meaning of the rebellions
he describes. Instead, he gives us a kind of up-to-the-minute
CD: a collection of snappy, driving vignettes that show how
the cutting edge draws blood.
</p>
</body>
</article>
</text>